Esther Venrooy

• About
• Artistic Research

• Projects
• All That Matters is Where I lay my Head
• There is Nothing Connected, Nothing Distinct
• Gsätzli
• The Unseen and the Visible
• Closer to Me Than I Am Myself
• Who Will Compose My Distracted Thoughts?
• Certain altérations sont bien sûr essentielles
• Dans le vide en le silence
• Nos Silences Nos Paroles
• We Meet on Empty Walls
• Shift Coordinate Points
• The Listening Reader
• Of Course Static and Moving Are Possible
• After Image
• Refrakt
• Vessel
• Du Hast Kein Flussigon
• Time Three Point Five
• Not Here ... You Can Look Any Place
• And a Heavy Blue Silence Fell Klunk
• A Shadow of a Wall
• Transfiguration of Steel
• Shifting Grounds
• Blueprint

• Agenda
• Press

• Music
• Releases & Sounds
• Works

• Contact

A Shadow of a Wall

Eight transducers mounted on an elevated floor, four bipolar loudspeakers

in collaboration with Ema Bonifacic.

Intro / In Situ,Maastricht, the Netherlands (December - January 2011)

Budatoren, Festival of Flanders, Kortrijk, Belgium (May 2011)

58 Miera Iel, Riga, Latvia (October - November 2011)

Bunkier Sztuki, Krakow, Poland (November - December 2011)

In collaboration with architect Ema Bonifacic, I designed a sonic-architectural intervention for four different buildings in Europe. My intention was to create an installation with panels that resonated sounds, intervening in the space without being specifically about the space. In this work, I was looking for a relationship between the composed sound, wooden construction, room and environmental sounds.

With the support by Raymond Moonen, Intro / In Situ, Amplus, Resonance Network - Thanks to Joost Fonteyne, Johan Vandermaelen, Stephen Verstraete and Kobe Vandeberghe

Interview: Sound creeps into a space's every little corner

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